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Month

May 2013

1 post

Kinetic Sculpture: Not Clock with Ben Light

Ben and I made a kinetic sculpture for the assignment “Not Clock” - something that measures anything but time. 

Instead of time, we measured how far you could blow. We had a fan on one end, and measured the tiny bit of voltage it made, and used that as a signal to tell our motors how far to wind up our measurement triangle.

Motors:

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Fan blow station:

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Moving measure:

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Some videos!

Designing the system that moved the measure was rather complex. We had to make sure it did not tangle the thread as it wound it up. We had to design a place for the measurement to hit on both ends - small switches that would then tell the Arduino “You’ve wound me up!” or “You’ve returned me to the starting place!”

In the two weeks to do the assignment, we didn’t quite perfect the mouthpiece - that is, the experience of getting up to the fan and blowing as hard as you could - but… people knew what to do, and wanted to compete and try their best to get the measurement farther than the person before them.

We were pleased with the overal aesthetic - clear, metal, a spot of color for the measurement bead - and the software behind making the winding work properly. I coded in a spot of apprehension, of suspense - how far will it go? Before it winds the measurement triangle up - and the same on the way down.

https://www.dropbox.com/s/aufi4yuhfy5q12n/patrick.MOV

May 11, 20131 note

February 2013

1 post

Feb 4, 2013
#Sculpting Data into Everyday Objects #thesis

December 2012

6 posts

Dec 26, 2012
#phototrope #muscle wire #ambient information #kinetic sculpture
Phototrope Project Documentation

Phototrope is a kinetic canvas that amplifies an obvious but sometimes forgotten part of our daily lives - the way light changes from season to season, throughout the day, whether inside or outside. 

Phototrope constantly measures ambient light: the more light there is, the stronger and higher the leaf-like papers arch and curl, as real plants do in the sun; the less light, the gentler and lower they unfurl.

Phototrope moves in a tangible, mesmerizing way - using the material of muscle wire (nitinol) as a mechanism for the curling motion. The muscle wire is silent and responsive in a surprisingly biological way - mimicking animal muscles or the movement of plants (sped up).

It was exhibited in the Winter Show 2012 at NYU’s Interactive Telecommunications Program.

BACK SIDE:

I used an Arduino and a photoresistor to measure the amount of light.

The circuit uses a TIP120 and a heatsink. The Arduino sends a signal mapped to the amount of light the photoresistor receives. This is the “OFF” in the circuit - the muscle wires are always connected to the external power source (2.5 Amps, 6 Volts). 

The muscle wire I used is .006HT “Flexinol” brand. 

Each leaf has approximately 9.6 inches of muscle wire sewn into place and connected to the Arduino through a copper tape circuit.

The .006HT muscle wire’s data sheet indicates that it requires 400 milliAmps of current or 0.4 Amps. It also indicates that the resistance per length is 1.3 Ohms per inch.

Using Ohm’s Law, I have the following equation:

I = V/R or V = I*R

5V = 0.4A*R

5/.4 = R = 12.5 Ohms

12.5Ohms / 1.3Ohms = target length 

total resistance / resistance per length

= 9.6 inches

If you do not calculate the amount you need in this way, you will end up feeding the muscle wire with too much power and you will burn it out.

While you may want to increase the power a little bit (here I increased from 5V to 6V because there was not enough power to make all the leaves really move), don’t increase it too much or the muscle wires will burn.

Follow this tutorial if you are intereste

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d in making things with muscle wire:

http://makingfurnitureinteractive.wordpress.com/2007/10/11/muscle-wire/

Dec 21, 20121 note
#ambient information #muscle wire #phototrope
Play
Dec 18, 20123 notes
#ambient information #ideas taking shape #kinetic sculpture #light sensor #muscle wire #sundial #phototrope
Ideas Taking Shape: Explanatory GIF

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Dec 7, 2012
#ideas taking shape #phototrope
Ideas Taking Shape: Sundial: Process

Hatbox plan for the side / but smaller…

For the general, light feel of it,

for the touchable, recognizable form, for the circular sides that mirror the compass in the center of the design on top.

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Dec 6, 2012
#ideas taking shape
Ideas Taking Shape: Sundial: Process

As many warned me, muscle wire is a tricky material. 

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It reacts to direct voltage quite happily (if you have the correct equation of resistance per inch etc. in place) - but if you are sending voltage / input from the Arduino, it is not happy as the Arduino does not supply enough current. It only reacts in tiny amounts unless it is getting a huge amount of current (especially with several pieces of M.W.). It also is not happy holding its bended position for a long period of time - the most problematic thing in my last post’s proposed design.

After experimenting a bunch I decided that I want to take more time to explore this material. Instead, I am returning to initial product sketches and tried and true materials.

My goal through this project has been:

- to see where the sun is throughout the day

- throughout the year

- understand its position in terms of cardinal directions

I now have prepared my object and done a mockup using the planned materials:

- sun path in veneer, a material that lets just the right shine of light through and speaks to the concept of understanding things outside while inside - 

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- mounted on a base with compass rose for orienting the direction of the object / sun path (must point South for proper reading)

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- base box size allows for  Arduino and Breadboard

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- RTC clock working happily on BB

- yellow LEDs strung up from the breadboard through a foam core pre-cut with holes matching the LEDs position in the Arc Veneer top

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- sides made with veneer mounted on felt 

- top / bottom spacing secured by 4 small poles

Size: 

- handheld: such that an average person could wrap his or her hands around the sides of the circle while it’s on a desk or table. 

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I am not representing the full circle of the sun because it is this very location-specific view that I am illustrating.

Further products could explore the addition of the moon and a full circle.

Exploring the compass rose illustration… found some really inspiring drawings:

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Dec 5, 2012
#ideas taking shape #sundial

November 2012

8 posts

Ideas Taking Shape: Final: Process

General idea - leaves curling over, wires contained in light beech wood box - creating a small desktop piece.

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Nov 26, 2012
#sundial
Ideas Taking Shape: Final: Process

Improvements to the reaction of the muscle wire… using multiple “hour” / “month” inputs from the Arduino, filtering through the tip120

http://www.youtube.com/watch?v=61mutLAT4mQ

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Nov 25, 2012
#ideas taking shape #muscle wire #sundial
Ideas Taking Shape: Final: Process

Update:

I prototyped my initial idea for showing the path of the sun through the sky throughout the year. 

This initial idea had been made up of 12 months/layers, each laser cut with the sunpath as the bottom arc and holes for each hour along that arc. These holes are according to the number of hours in that month and according to the sun’s position at that precise hour.

LEDs light up at the sunlight hour and the month (so for example, in the November arc, and at 10 a.m.).

Having shown it to a lot of people and looked at it a lot myself, I still do not think it communicates all of the information very well. 

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Over the weekend and the beginning of this week, I have been working with muscle wire and think it could be the right medium for this project. 

The concept behind it is:

Each hour is represented by a flower petal (24 in total, per month).

On the first hour of sunlight (7 a.m. for November), the 7 a.m. position petal curls back. Et cetera until 4 p.m. when the sun sets and all of the petals that had opened will close back to their original position. 

As before, the actual arc length and shape is important to me, therefore each month will have a different containing arc.

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There will be a full circle of petals, but only the hours of sunlight petals will be activated.

I am going to start with One Month and prepare the full hour wheel, so 17 normal petals and 7 muscle wire petals, and build from there.

In the below sketch, the pink are the muscle-wire incorporated, sun activated petals, and the blue will always stay still as they are the no-sun hours.

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Rough tests:

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I plan to contain the wiring and Arduino underneath the flower, in a thin plywood box that would sit comfortably on a desk or table - or could be mounted on the wall. 

A lot of thinking through the process left me in the plan to begin with just one month.

See various possibilities:

Option 1:

Muscle wire incorporated in all 24 petals (24 hrs of the day)

It is activated on all petals so that they are closed up - but as an hour gets the sun (let’s say the 7 a.m. petal), it opens - thus voltage OFF on that one - and then for 8 a.m., and so on, until we are at the end of the daylight for the day, at which point they all revert to being closed up (voltage ON)

Option 2:

Muscle wire only incorporated in “sun” petals (average of 10 - but depends on which time of year we are in) 

In order to keep the no-sun petals closed, use elastic… not sure how to do this? Would it be on the tip of each petal, pulling it inward? But enough slack so that the muscle wire, when activated, would be able to resist / open the paper petal?

Option 3:

Each petal represents a different month of the year. 12 petals total. Sized according to hours of daylight for that month. 

A petal unfurls when 7 am and its month is called - but maybe the voltage is analog - so the unfurl is as slowly as that days hours and this creates a feel for where we are in the day - halfway unfurled down would be halfway through the sunlight for that day - 

In other news, the laptop stand!

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Nov 21, 2012
#ideas taking shape #sundial
Muscle Wire

Jie Qi taught Sophie and me about muscle wire yesterday. She is a fantastic teacher. We had so much fun! The pleasure of mixing electronics with craft… sewing the muscle wire into place, adjusting its placement with copper tape circuits… 

To start with, we figured out how much muscle wire to use based on the voltage we were going to use (a 5v power source). Using Ohm’s law (V = I / R) and research as to how many amps the muscle wire takes, (we used 0.006 HT Flexinol), we calculated that our target length was 9.6 inches. We cut our 9.6 inch pieces in half to have more material.

Then we crimped the ends of the muscle wire because it is easier to solder the crimp than to solder the tiny end of the muscle wire. 

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Next we soldered the muscle wire into place on the copper tape circuit. It’s important to try to have the muscle wire tightly in place so that when you apply voltage and it tightens further, the interaction is swift. 

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We also sewed the muscle wire into its place in the paper so that the paper would be fully reactive rather than just pulling at either end. 

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Above you see the sewn paper / muscle wire, and the copper tape circuit connecting the two pieces of muscle wire (the total length of 9.6 more or less, to resist the 5V coming in properly). 

Another circuit photo - this is the back of each panel:

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Applying voltage, curling up!

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See them in action!

http://youtu.be/uVn61KH2UAE

Nov 18, 2012
#jie qi #sensitive buildings #soft lab #sundial #phototrope
Ideas Taking Shape: Sundial: Process

Sketches of how this could be… the arcs, where the arcs could sit, how the LEDs would climb the legs of the arc.

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More details, thinking through the months… front view and side view:

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Maybe having a tilted based would give the same understanding of the change in the arc / day etc?

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I found a website that models the path of the sun throughout the year to model solar energy options. 

It produces drawings like these:

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I traced these and created thin arcs, with wholes where the hours are. I am lasercutting each arc, putting together a small arch structure where the LED wiring could fit behind the arcs and the LEDs would shine through each hole at the appropriate time.

Here is that sketch, with the arcs in month order. See how the arch changes throughout the year.

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It makes more sense to go with an order that reflects the order of the sun throughout the year though:

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I also tried piling up the above arches - one on top of the other - out of curiosity - though this would not be a feasible design because the light would not come through to the front if it were December or January.

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Subtract…

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Subtract

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Subtract

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And then the Arduino component of the clock - using Processing first, just to get a feel for the parsing, and then the Real Time Clock module. My tape tags show that the date is parsing correctly (It was 7:30 p.m. and November when I was testing).

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Two models:

Without “data”

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Some of the “real” sunpath models:

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Nov 14, 2012
#ideas taking shape #sundial
Ideas Taking Shape: Final

FINAL PROJECT:

For my final, I am going to make a small, desktop sundial - season - clock. 

There will be an arching wire for every month with LEDs along the wire. The LEDs mark the hours throughout the day, along the arch of the wire, mirroring the sun’s path through the sky each day. This description of the sun’s path is detailed - if it is a new month, the LEDs along a new wire will light up - demonstrating how the sun’s path changes throughout the year. 

The structure would be wrapped in rice paper or another slightly textured paper to mask the wiring underneath and diffuse the light from the LEDs slightly - such as the tea filters I used in my Light Jars. 

My rough mockup / starting to understand the wire spots through the year.

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For example, currently the sun rises south of east and south of west - not exactly in the east or exactly in the west. 

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I am deciding between several formats:

1. Full detail: every month, every hour. (12 arches, approx. 144 LEDs)

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2. Part: every month, but rather than hourly, it would be chunk of hours (morning, middle, afternoon) (12 arches, approx 48 LEDs)

3. Part: seasons, every hour. There would be an arch per season, and LEDs lighting up every hour. (4 arches, 144 LEDs).

4. Detailed LEDs: for each part of the day, the LED colors would have variations: white+yellow (early morning), bright yellow (midday), or white/yellow/purple/blue/red (sunset).

5. Detailed LEDs + Internet info: if the day is cloudy, rainy, the LEDs will be yellow throughout the day. If bright and sunny, the LEDs will be white throughout the day. If the pollution index is high, the sunset colors will be particularly rainbow-like (according to the theory that the more polluted the day, the more glorious the sunset).

Rough trial: LEDs lighting up according to time of day / month.

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This would live on desks, in living areas, in schools, and teach us about our environment at the same time as it added information to our days in an ambient, subtle way.

Other ideas on sunlight:

Untitled (for the Sun) by Jim Campbell - a clock that displays time as a percentage. 

“Beginning at 0 at sunrise, the five-digit display shows the percentage of daylight already spent, reaching 99.999 at sunset… because time is measured by the length of daylight, the clock (or ‘time’) runs faster in the daytime in the winter then in the summer.”

http://www.youtube.com/watch?v=1EKIuhCwY_Q

Kota Nezu has an interesting device: a “Planetary Parasol”:

http://ifitshipitshere.blogspot.com/2011/05/planetary-parasol-tells-time-direction.html

Nov 6, 2012
#ideas taking shape #sundial
Sensitive Buildings: Ethnography Assignment

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Major takeaways…

Kaitlin has a combination of personal, artistic, inspiring objects in her apartment. She feels the need for more space because she would like to separate some of the clutter “Trash” that is not trash and the personal (clothing mostly). 

Recommendation…

Create a separate set of drawers / shelves for artistic gathering to capture the “studio” gathering. Keep the simple feel for the rest of her life.

Nov 5, 2012
#sensitive buildings
Cabinet of Wonders: Manifesto

MUSEUM MANIFESTO

Exhibit priorities:

- Mystery

- Secrets

- Sense of discovery

- Look twice / suspension of disbelief

- Come away with a story You Learned - something to write home about

- Make a connection - have the “this reminds me of that book” (or article or theory or film or other piece of artwork or thing that you are working on)…

- Space to question what you see and its description - wonder more, delve deeper (the tiny library/nook at the Guggenheim allows you to read through beautiful books about the current exhibition)

Museum atmosphere:

- As a beautiful library entrance and its reading rooms elicit a feeling of awe, of inspiration to be a scholar, as a beautiful religious building might elicit feelings of devotion, so should my Museum elicit feelings of awe, inspiration, maybe devotion, as well as excitement and curiosity

- But the above (library, church) also allow for simple contemplation. And my museum will have places for this in and among the exhibits (for example, the Frick’s courtyard, the Met’s Astor wing / round room on the dinosaur floor, sea creatures hall with the parquet flooring where the kids sprint around and the grown ups lie down if they want to).

Specifics:

- For discovery: take MOMA’s giant suspended helicopter as an example of how to play with the space, bring in objects that are specific to a museum (not everyone gets to stare at a helicopter close up - unless you go to MOMA!), display them in a surprising way that make people think twice, look twice at the objects around them.

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- Natural light: again, MOMA’s use of windows into the city from high up, making you feel as if you are still in a bigger environment (the city) rather than entirely separated from the outside and outside life… 

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- Comfortable couches, and many of them. Some right in front of a piece of art.

- Nook / reading rooms in the exhibit space itself rather than separate hall or floor - these allow for deeper delves into the subject matter and supplement simple captions and exhibit introductions on the wall.

- Nook / cafes on each hall or floor.

- Speaking of floors, the museum will have four exhibit rooms, a cafe and a restaurant. Plenty of natural light. Garden courtyard in the middle. Each room is clean (white paint, nothing else than the art, couches, nooks built in to room) - rather than richly decorated (like the Frick) unless the exhibition is about interior decoration.

- Friendly, warm security guards and overall staff - curious and interested in provoking discussion on the current exhibit.

- If an exhibit needs, it can close the curtains over the big windows / add japanese-like screens to change the space - the “four big rooms” can be altered. The idea behind “four big rooms” is “not too big!”

Additional:

- This museum will be a place to go with a friend, to stop by, to put your feet up when you have an hour and are in the neighborhood.

- Therefore, hours will be until 9 two nights a week (thursday, friday) (to accommodate post-work people).

- There will be concerts in the courtyard when the weather permits.

- There will be film screenings at night according to the exhibit theme.

- There will be workshops where artists teach a craft that has to do with that theme (for example, if the exhibit is about “The Progress of Love” and one of the pieces in the exhibit is a hand-woven basket that wives made for husbands in 1792 to show their love (making this up), then there will be workshops about how to make those baskets.

- The website will be simple - hours, directions, and a tab to some web-specific specialties - whether this is audio or video or more photographs or an interesting collections browser, slideshows (top ten outfits curated by a Fashion Magazine Editor for the exhibit on women’s fashion during WWII, for example).

Nov 4, 2012
#cabinet of wonders

October 2012

14 posts

Sensitive Buildings: Data Network

Sensitive Buildings data network… we got the circuit all set with Luis’ temperature sensor but it did not work… so we went back and tried to check whether the PAN IDs were all set up but frustratingly, couldn’t get back in to programming the XBEE via Cool Term OR X-CTU… to be continued.

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Oct 25, 2012
#sensitive buildings
Cabinet of Wonders: de Menil Presentation Sketches

1. First view, homepage:

A globe showing pins where all the artists contributing to each exhibition are from, 

2. When clicking a pin, you see the artist’s work and then on clicking the work, go into an overall grid of all the artwork

3. A sidebar of filters: filter the artwork by color, theme, medium, surprise me, artist.

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Themes shoot out to each institution’s themes for the exhibit. These tags are clickable and take you to that institution’s artwork.

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The grid with menu filter.

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Oct 25, 2012
#cabinet of wonders
Ideas Taking Shape: Midterm Documentation

In the end, I think I like the way it looks without any light at all (see picture 3), but many lessons learned:

1. Capitalize on the potential of mobile, different leaves actually floating together

2. Plexiglass distracts from the leaves, the element I most wanted to evoke

3. Lightbulb problem: the first inspiration of leaves along a long fluorescent tube would have worked better

4. Room for improvement. Still intrigued, but looking forward to entirely reworking the idea.

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Oct 17, 2012
#ideas taking shape
Ideas Taking Shape: Midterm Process

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After collecting maple leaves and branches,

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 I preserved them in a solution of glycerin and water and then mounted them in plexiglass.

I played with the shape - trying a hexagonal shape as below - 

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Instead, I returned to the planar shape that initially had caught my eye in the maple branch structure. 

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I then worked on the lighting part - changing the wiring from a straight plastic insulated cord to a rope - 

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Though I really liked the glass fixture that I found to work with, I decided to go back and simply use the typical clear cord instead because of the aesthetic of the clear plexiglass that I was working with already.

Oct 17, 2012
#ideas taking shape
Cabinet of Wonders: Diorama

My diorama was for an exhibit about Achille Castiglioni.

Castiglioni was an Italian designer who brought everyday objects into his elegant pieces - whether a tractor seat or a street lamp. My exhibit about Castiglioni would celebrate the source behind some of his most brilliant shapes and designs. 

Thus I would have the tractor seat chair along side a real tractor, 

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The streetlamp alongside the famous Arco lamp whose proportions and balance were derived from the street lamp.

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The iconic Snoopy alongside the lamp inspired by Snoopy…

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A cat (or a fake cat) near the lamp that Castiglioni designed with a cat in mind (it could curl up below the light and enjoy the warmth - (also, a vacuum cleaner could go underneath) - a lamp that would not waste its light on the ground because it is suspended slightly above.

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Broadly, the exhibit would address the question of Where Do Good Ideas Come From? And specifically, the designer Achille Castiglioni’s own sources of inspiration and process.

Oct 10, 2012
#cabinet of wonders
Sensitive Buildings: Romantic Lighting Sensor

Here is the setup:

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The LED turns on when the light sensor recognizes your presence nearby but if you actually cover the light sensor the LED will turn all the way off.

Oct 9, 2012
#sensitive buildings
Cabinet of Wonders: Frick and Guggenheim

Frick:

Perhaps the byline for the Frick should be: “even the restrooms are posh”

The museum is in a beautiful old mansion and has preserved much of the original details. It is a warm and welcoming entrance with clear direction and easily navigable spaces in that the whole place is so small that it’s easy to do a lap through and then go back to any rooms that I didn’t explore. 

Some notes from the Frick:

Hushed

Fountain

Carpeting

Lots of middle aged people

Tourists

No kids

Everyone was listening to tours on phones

Dim lighting

Without phone-tours, hard to know anything because very few captions

Beautiful paint on walls - made me think of Heather’s comment about how the Museum of the City of New York’s paint jobs were so messy. 

Friendly guards

No interactive pieces

Easily navigable website for hours, etc. I’d go back to the website to research more about one of the subjects that I had found. 

Guggenheim:

More people, more kids, festive entrance, strength of architecture both as path and as comfort and structure for experience

Though at first the crowds and guards and coatroom feel overwhelming and annoying, the swirl of movement up feels comforting - a wrap around that is enveloping and warm.

Awkward placement of texts, seats in the circular areas

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But some great unexpected vistas, nooks

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Made me think a lot about the de Menil concepts of intimacy, unexpected placement of art so that we can see it from below, above, get close to it…

Almost no interactives, multimedia

Kandinsky’s amazing colors as contrasted with picasso’s black and white

Easily navigable website and annoyed guards because people kept taking pictures - they would pounce on people from behind as they were snapping a picture.

Oct 9, 2012
#cabinet of wonders
Sensitive Buildings: Tenant Meeting

We met with three residents of the Columbus Circle building last week.

A couple and a single woman.

All three were passionate about their time in the building - couldn’t say enough good things about it - didn’t have any complaints - 

Some takeaways:

The couple is from the suburbs and moved to the city two years ago. They use the park religiously. 

All three use the terrace a lot - for sun, for relaxation, though they find it windy. The couple enjoys the view of Columbus Circle, the woman looks towards the Upper East Side. 

She has traveled her entire life and loves where she is now. She loves the smell of the fireplace, the neighbors, feels it is a little village in her back elevator area. She is outside taking the sun as much as possible - whether on her balcony or on the terrace. She loves hearing the horse hooves from the carriages outside her window - a jump back in time. 

All three listen to music in their headphones rather than bring speakers that might disturb the others.

In terms of the common area, they wish it were better, cozier, whether for a library or for some Sunday Night football.

When I asked whether any of them had a special hobby, interest, author, artist, pursuit beyond work, the man began speaking about how interested he is in the history of the Circle. This led to each of them discussing the connections they had to the building through old photographs of the area - photographs they had come across in various ways in the past - something that felt serendipitous to all of them. The woman also brought up that the author of The Little Prince lived in the building.

They are all attached to the staff, space and location of the building and connect a lot to it as a homey, cozy, friendly place, though it is quite large.

Oct 9, 2012
#sensitive buildings
Ideas Taking Shape: Midterm Plan

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Thinking about pattern and shape: 

I am going to model my design off of the Maple tree. Its patterns appeal to me and its structure works well in the light experience that I want to make - in fact, the shade / light that I have observed is usually provided by maple trees. 

These descriptions help show why the maple tree is a strong choice for my ideas:

“In the maple we perceive the extending outward of the long slim stalk and the symmetrical spreading into the finely formed, pointed lobes of the leaf blade. The clarity of form in the sugar maple is also expressed in the regular, opposite arrangement of the leaves and in the V-shaped branching pattern of the limbs: each year the terminal bud dies, so that two branches (originating from the pair of buds just prior to the terminal bud) form a V-shape, then grow further, branch again in a V-shape and so on.”

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“We noticed that the leaves of the maple spread out more or less in a plane and that they are fairly evenly spaced from one another.  In other words, the totality of the leaves on the whole branch form a kind of ‘superleaf.’”

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- “Phenomenon Illuminates Phenomenon: White Oak and Sugar Maple” by Craig Holdredge, Nature Institute

Oct 3, 2012
#ideas taking shape
Ideas Taking Shape: Light Jars Photos

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Oct 3, 2012
#ideas taking shape
Ideas Taking Shape: Midterm Planning

Playing with leaf shadows, chandelier structure, LED light.

Shadows as precise as these:

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Patterns from leaves and light:

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Considering the way that light comes through leaves to make its own frame:

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And give its own shadows:

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Light is diffused through (what) material?

Rice paper?

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Other paper…

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Embedding LEDs in wood!

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Embedding LEDs in raster etched patterns on plexiglass?

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Using fiber optic cables instead…

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Could use fiber optic strands to diffuse the light throughout a matrix of plexiglass leaf patterns (each laid parallel to the floor, 3 deep, 3 wide at the max of the “chandelier”). Strands could go through holes in center of each piece of plexi. Strands carry light through each piece of design. 

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Ugly product but shows the power of fiber optics. 

Would it be possible to use approximately 5 thoughtfully placed large bulbs throughout the chandelier in order to get the light desired? 

Could even be the glass jar version themselves with the leaf pattern etched and then these jars set in wire structure that holds them (like an apple picked). 

If doing something like this… then, doing 3d Printed Optics using the Makerbot would be perfect… 

I’m most excited about this 3d printing option because I could make something that replicates the internal structure of the leaf through the light pipes that you can 3D print. 

Oct 3, 2012
#ideas taking shape
Cabinet of Wonders: The Way We Live Now

  • It’s 2112. Write a detailed review/description of a historic house/ place museum about the way we live now. Think of the Tenement Museum and other historical houses you have seen. Be clear on the experience—the wayfinding, the media, the content, what are the stories, how does the audience experience it.

Cellphones, smartphones, telephones, fax machines, computers, scanners, internet apps, hands-free, GPS, voice-activated, headphones, credit cards, cash, coins, cash registers, ATMs, bikes, watches, heart rate monitors, treadmills,

Daily papers, magazines, books

Washing machine, dryer, dishwasher, laundromat, refrigerator, freezer, oven, stove, grill

YouTube, sneakers, t-shirts, fashion trends

As I think of a museum about the way we live now, I focus particularly on the many Things in our lives that were not present at the Tenement Museum. Our lives right now seem particularly distinguished by the devices and technologies to which we have access. Across classes, smartphones persist, for example. 

My museum of the way we live now:

Entrance: 

A five story building off of a paved sidewalk. Street signs outside: a “No Parking Anytime”, with bicycles locked to the bottom of it. A tree planted in dirt on the concrete of the sidewalk. The building has an awning with the title “The Way We Lived: 2012”, a street address and a phone number. The awning and frame are painted bright red. 

The doors are open and lead into a small cafe where coffee and muffins are sold. The coffee machines are exposed and the servers make the coffee or tea etc. - we are already in the experience - supposing that in 100 years, the coffee machines (if they exist at all) will be remarkably different than they are now. 

Next, you would exchange your money system or payment system for ours - somehow - and you would buy your coffee with cash or a card. The servers would be ready to answer any questions about how they prepared the drink and how and why people consumed it in the past. If, for example, you were interested in how currency, cash, credit and banking systems worked in our days, you could go slightly to the right of the purchasing counter and watch an animated video explaining the way our economic systems work. 

While there would be a typical menu, there would also be a general explanation next to the menu, with descriptions of why people consumed coffee and muffins in our days. 

You could then have the option to continue into the museum - purchase a tour with our money - and if you did, you would go behind the counter and through a backdoor out of the cafe, up a flight of stairs and into an apartment. Here you would find all the typical fixings of an apartment - the machines we use, the mobile devices, the music systems and video systems. Everything would be as “on” as we usually leave it - so maybe the TV is on, music is on, the smartphone is picking up new text messages and emails - but the shower may not be on. You could walk around and turn everything on or off - even toasting bread if you wanted - or turning on a movie. There would be “tour guides” hanging out in each area of the apartment, explaining the device or the way it was used as needed. 

For example, the closet would be full of the current fashion of clothes for a woman and a man. The tour guide might ask why the tourers think we had so many pieces of clothing. The response might lead to a discussion about the way that we displayed our identities through our choice of clothes, what we carry, what we drive, etc… how these might display our socioeconomic status. And / or how many find that purchasing new items gives them pleasure, which could lead to a discussion about the role of pleasure in our lives - how it balances with the work we did, or not, what a few typical forms of pleasure-getting were - for example, from drinking and doing drugs to spending time with family and friends. 

Each broader concept, as referenced above, would become a story so that the visitors from the future might better understand our habits and such. If we were discussing the concept of pleasure, the tour guide might tell a story about how “Emily”, who lived in the apartment, used her first pay check in her first job after college to buy a beautiful pair of boots. She kept good care of the boots and saved them for years. They were a piece of her memory as she transitioned from job to job and apartment to apartment - here it might be interesting to discuss how careers have shifted, but also the history of Emily’s own career (lawyer). It could lead to the tour guide explaining the way that women used to be treated before Emily’s own time, how their role in society changed. 

There would be magazines and a newspaper on the kitchen table, as well as a tablet and a smartphone with pre-programmed apps such as NPR, TED, hopstop, words with friends. The stories in the paper would be accurate to our time and might lead to stories about the presidential race this October, 2012, how the country was seen by some to be polarized between a liberal left and conservative right, how we were still struggling with our role in politics in the Middle East… a wallet on the table, with keys, Metro Card, a train ticket to upstate New York - discussion might ensue about transportation in the city and out of the city - why people might choose to take a train an hour away, what activities they might do out of the city, or an in-depth description of the subway system - where it came from, how it developed in other cities, how NYC’s subway system in 2112 compares…

At the end of the tour, the tourers could just trickle out whenever they pleased, stopping by a gift shop where they could buy any of our old technologies and some of our styles of clothing. There would be an explainer as they exited who would describe the way that various people moved through the city - on bicycles, subway, car, and how the various business owners on the fictitious street might have worked with one another (or not). 

The experience of this Museum of the Way We Live Now would be that each object might have  a full story, a full lesson behind it - whether an economic or a cultural lesson - and each could provoke interesting discussions on the way our technology systems but ideally, the way our value systems may have changed. I would be most curious as to the difference between the way we find value in our lives now and the way we will find value in our lives. While the Tenement Museum and the Teddy Roosevelt museum had 1 tour guide for many, the Museum of the Way We Live Now would have several educators, much like the NYSCI experience. Rather than be led through room to room, object to object, you would be let free to choose which objects, rooms or devices you wanted to check out and then ask questions or listen to explanations as you saw fit.

To this point, the experience would have the option to have an augmented reality tour - when you purchase your ticket for the full experience, you could take out an iPhone that had an app installed on it where when you hovered the camera over a bicycle, for example, it could tell you (by text or audio, your choice) about how that bicycle had been used, why there are stickers on it, what the stickers mean, and possibly a video with the band of one of those stickers playing at a rock concert. This AR option is available throughout the tour though it would be less publicized because the hope is that you engage with an educator directly.

Ideally, each conversation would include a historical element - history before 2012, a 2012 description, and then a question about how things are in 2112 and whether this is better or worse? Why would they want to come back to 2012 or why wouldn’t they? What about 2112 reminds them of 2012?

Oct 3, 2012
#cabinet of wonders
Cabinet of Wonders: from the Tenements to TR's mansion

“Something happens in a story— something is wrong in the world— and its resolution serves to help us sort out our values and beliefs.” 

The Tenement Museum

Welcome Area:

Organized, clear signage, modern feel to a museum that is about the old, peeling buildings of the tenements. The people are friendly, approachable and relatable.

Next, the tour itself:

Very strong that the entire tour is inside the building we are considering. The tour guide started off by pointing out the layers of flaking wallpaper and describing how it made her think of each tenant in the past and how they changed the building to make it their own home. 

The people on the tour:

Middle aged, couples, all tourists. Luckily for the guide, there was one man who was eager to participate, throw ideas out, very chatty. If it hadn’t been for him, she would have needed help warming up the crowd. This is an interesting dynamic: so much of the experience depends on the tour guide. What questions they ask, the mood and tone that they set for the entire group. 

I went to the Tenement Museum last semester, but they must have recently put into place the music and images and lyrics part of the tour. I certainly enjoyed it and, looking around, it seemed like my tour group did as well. They were completely engaged throughout the experience, interested in the tour guide’s questions, discussing possible answers. The music played an important part in that it provoked more of their senses— and they weren’t only listening to the lyrics, they were also listening to the music itself— noting how some songs were jolly though they sang about something sad.

The narrator / tour guide was effective in that she described many of the details but left a lot up to us to determine or answer or question or challenge— much more interesting. 

Also, she was able to get us to imagine what it might have been like to have bad milk all of the time etc. without constantly directly asking us to imagine xyz. It was the type of questions she asked maybe. 

Website:

Too bad that the photo feature is under the History tab. Takes a bit of searching and it’s such a neat part - especially since we can’t take photos while on the tour. 

The Teddy Roosevelt House

Then I went to visit another historical house… the Teddy Roosevelt house! Though it is from the same time period as the Tenement Museum, it’s from exactly the opposite side of things: opulent, beautiful, all the rest. 

I actually felt less warm, less comfortable and interested while going on the TR tour. I wondered why the other people were on the tour. The tour guide seemed like an obsessive historian rather than a guy I’d like to chat with about interesting pieces of our history. While he was, of course, perfectly nice, knowledgeable, friendly and all of the rest, still, I felt as if I was a captive of the tour guide. It was much less of a give and take, participatory tour. 

The website was easy to navigate and the guards were welcoming. It’s interesting that the tenements were a better overall experience than the mansion… but the mansion itself was beautiful and restored with care. 

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Oct 2, 2012
#cabinet of wonders
Ideas Taking Shape: Light Jars

I considered the difficulty of lighting a roof at night. I wanted to pay homage to Castiglioni’s found objects aesthetic and teachings. He used everyday objects in unusual ways in his designs and paid attention to the design-able qualities of these objects. 

I soldered a 9v battery to 3 white LEDs, and added this lighting system into a small tea packet to diffuse the light and cover the ugly wiring. I put the LED package inside a small jam jar that could then be carried around easily and that safely contained the precious electronics.

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Putting four of these jam jars together made a diamond shape— where the dark, battery side of the jar faced inward and the bright light outward.

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Oct 1, 2012
#ideas taking shape

September 2012

12 posts

Ideas Taking Shape: Castiglioni

Achille Castiglioni was a postwar Italian designer who lived from 1918 - 2002. He established a studio with his brothers, Livio and Pier Giacomo. Livio left the company and the remaining brothers, pier and Achille made products that incorporated objects from daily life: a tractor seat with a special base, the Arco lamp was suspended from an arch of steel, inspired by street lighting (street lamps can project their light several feet from their base. 

Castiglioni focused on found objects and pointed out their ingeniousness though many at first seemed unremarkable. 

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Sep 26, 2012
#ideas taking shape
Cabinet of Wonders: NYSCI

NYSCI Visit:

Welcome:

Rather cold and uninviting. Large building, accommodates many kids running in, but when it’s almost empty, it just feels cold.

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Surprising that the playground is not open to the public and that it costs more money to get in! How unfortunate.

Exhibits:

Really appreciated and enjoyed the exhibits. I was engaged - throughout my visit - such that I was mentally tired and ready to get out by the time I’d gone through three exhibits. In terms of big ideas… and emergent properties… I saw such themes emerge time and time again. 

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Such an excellent idea above… to literally use your own body in the midst of trying to understand the larger concept.

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Many of the pieces worked better / made more sense when one’s chin was on a kid level…

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Some interesting creakier pieces of interactive work in the Mathematica area. But particularly enjoyed them. Because they All Still Worked even if the paper was yellowing… and demonstrated the way the NYSCI was thinking at that time… still wowed me and gave the Ooh followed by an Aaaah (a wowed ooh, a learning aah).

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Website:

Annoying that “Special Hours” is the first thing on website. Nice learning games (photo-voltaic energy).

Big Ideas…

Heather and I thought about the concept of Emergent Properties: how simple rules on one level lead to complex behavior on a higher level. 

We thought that this big concept would be best explained using a series of metaphors from a child’s own life. We would incorporate objects that are familiar to them, and then with each object, and potentially each step around the physical space, we would move between familiar first objects and unusual or surprising new objects (inspired by own thinking but also The Constructivist Museum and the Messing Around with Science concepts). 

The metaphors would have to be physical objects that build on one another while explaining what stage they are at in the building. 

Ideally, a kid would be able to engage with the Big Idea mentally and physically: reading through the details of the experiment or process of building but also actually building something and / or watching a video about it. 

A few ideas for Big Ideas…

We could design a large game where when the children enter the room, they are each given a task— for example, get the eggs and put them at point X in the room. After each completes his or her task, he is to go up the stairs and have a hot chocolate while the others finish and then join up in the higher area. Once they’ve all finished, they will look down and see a reconstruction of a whale through everyday objects that they’ve each been asked to place. 

Another idea, though similar, would be to have the kids make a Rube Goldberg machine. It could be pre-thought-out or (depending on the kids’ comfort with electronic and engineering) the kids could design it themselves. The Rube Goldberg machine is an excellent conceptual and physical task in that each object follows a simple rule (the pendulum swings, the bridge raises) and when all of these components are in place, the machine will work. 

We could also work with the simple rule that when you put weight on one end of an object, the other will come up. When you sit on a see-saw, the other end of the see-saw bounces towards the sky. These sorts of objects would be displayed on the first level, and then on the second level (just one stair up in the large room), there might be slightly more complicated examples of the lever, such as a catapult. On the highest level of the room would be the most complex example of that simple rule: when you put weight on one side, the other side snaps up in reaction. 

Sep 26, 2012
#cabinet of wonders
Ideas Taking Shape: Assignment 2

Thinking about how light can come through a shade / object 

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Or it can be at the outside 

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If the bulbs themselves are especially beautiful, the outside approach works quite well. Then a question is, how to give them structure, and why choose one structure over another. The above chandelier gives an impression of a flower or a starburst. I like it. 

For our assignment in Ideas Taking Shape, we were to use different found materials to make a sculpture or product. I used some leftover CNC machine-cut pieces from making my rocking chair last semester as well as some Edison bulbs I had collected, some thick twine that we usually use in the garden and a wire hanger. Some sketches of the process…

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I liked the way the wood pieces could give structure to the bulbs but also keep them separate enough that it wasn’t a blaze of light - their light can be somewhat blinding - and I also liked using the twine as a natural finish to cover the wires for the power cord. I wanted to use the hanger as an actual hanger, and make the unit mobile. At school, the light in many rooms is fluorescent and not conducive to our work if you’re sensitive to the lighting of an area. I thought it would be nice to have a lamp to carry along with you.

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(thanks Johann)

Sep 23, 2012
#product design #ideas taking shape
Sensitive Buildings: How to Be an Explorer of the World, by Kerri Smith

Ten Things About Where You Are Sitting:

Gentle croaking of insects every few seconds

Constant rush of air through the ducts in the house

Smell of coffee in mug

Reflection of window and trees outside window (all next to me) onto the framed print across from me

Bright pour of sunlight makes every other leaf look a special sort of silver or dipped in silver

Dust caught on the outside of the screen that goes between the window and the inside

Surprising rub or unvarnished inch in the neck of a brass lamp

Back portion of piano is darker than front portion

Bright red felt edges the front inner face of the piano

Crows calling 

Sep 23, 2012
#sensitive buildings
Cabinet of Wonders: AMNH

I arrived at the American Museum of Natural History through the subway entrance and was surprised by how grand it seemed, immediately. I’d forgotten. The entrance process seemed like that of an airport— a guard yelling at everyone to go to x or y line, but patrons and members can breeze straight through. Not a great entrance moment. However, once inside, I wandered directly over to the musty Indians of Vancouver Island area and happily remembered the Native American unit in middle school. 

The museum is big, grand, and many of the exhibit halls feel a little forgotten (such as the Indians one). People were mostly passing through it on the way to the iMax theater. The crowd is diverse and full. Tons of tourists from all different countries: German, Indian, Spanish, Dutch and many more.

Really liked that there were some comfortable, open spaces. The big parquet floor in the Marine Life hall. The beautiful circular room with carpeted floor in the Dinosaurs Hall.

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People move slowly through the in betweens: the hallways on the way to halls, for example. It is somewhat hard to have a mental map of the place quickly, or to know which way to go to get where, or why… I ended up following groups around because they seemed to know what they were doing better than I knew. 

Many were comfortable immediately: kids sprinting around in circles, tugging their parents to see this this and this, so many pointed fingers, so many “Know what this is?” and “Know what this does?” They really drove the exploration. Parents often read captions aloud to the kids. People took tons of photos, seemed to spend a lot of time in each exhibit.

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2 little kids leading their grandparents onward.

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In terms of the length of time they spent in front of each display, it definitely depended on the nature of the display and also the visitor’s own purpose. For the animals in cases, for example, if the captions were wide and long enough for several people to look at it, they would fit around and read it to one another. But even if the caption was properly set up for a long look, if the person didn’t feel like reading, he wouldn’t. If he didn’t want to learn at the interactive touchscreen, he wouldn’t, even if it worked. 

They spent the longest time in specific exhibits at the special exhibit that I saw: Bioluminscence. The entire atmosphere was contemplative and dark, the noise inspirational or simply quiet. An aspect of the exhibit would be properly spaced out, with a large circular stand that held a few components: text, an interactive portion, maybe a screen, standing alone. They spent the next-most time sitting at iPad-like stations where they could explore an entire app on a subject. These were somewhat separate from one another but two people could look at one screen. They spent the most time watching the big videos— both in the Bioluminscence exhibit and in the Marine Life hall. 

Use of interactives:

I did not see any broken interactives. And I saw many. However, I was surprised by how few interactives allowed 2 people to use them. Sometimes one person could look over the other’s shoulder. 

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(they didn’t really use this, just fought over touching it)

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People loved this: send a video: but didn’t actually narrate the video they were sharing. Just a lot of waving and smiling. They were frustrated because only one head could fit into the special “head in pretty backgrounds” video they were sending. Uncomfortable upright keyboard, high up, too (you have to type an address etc. to send the video).

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This wasn’t necessarily “interactive” but it was great that it is touchable (and same goes for several things in the exhibit):

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Somethings I overheard… 

Following a family (2 parents and 3 kids): at the marine life hall: We have that in our living room, pointing to a fish. That walrus goes on its back just like our dog! Parents discuss difficulty of meeting others in the museum. Kids: we’d be in trouble if that whale fell. Kids: it’s not real! (2x).

How I would redesign an exhibit, object in a different context…

I chose the Pterosaurs:

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And am reimagining them as part of a playground where you could climb on top of them. They would have to be supported somehow of course… they couldn’t actually fly, I know… but perhaps they would serve as bridges between different slides or other playground objects. I would also love for them to be strewn around the playground, real-life scale, broken apart. Anyone could take one, try to find where it fits into the puzzle of the others, they’d get the treasure hunt feel combined with puzzle. Even better, to have a big sand pit where everyone could dig around and find them, clean them, assemble them.

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I’d like the Pterosaurs in the park to each be in a different position of flight, as demonstrated above. in the diagram.

Finally, the website.

Easy to navigate. Easy to find hours, find out deeper information (or check my memory) about certain facts (which fish glows?) And I like the “Meet the Curator” option. 

Sep 18, 2012
#cabinet of wonders
Sensitive Buildings: Observation Assignment

Columbus Circle

1.
5:45 pm first observations:

- Filling water bottles, drinking from water fountain
- Rickshaw drivers hanging around, waiting, not particularly pursuing customers. All seem to know one another. Mostly black
- Breakdancers & performers on informal “stage” (circle on the pavement next to the statue
- People watch the break dancers: some actively watching, some passively (they were sitting there when the dancing started)
- Take pictures of the statue, posing with the statue (wearing a Statue of Liberty hat)
- Read on iPad while sitting near the statue
- Some of the audience sits on statue facing performers. Most encircle performers, standing
- C. Circle is also a meeting point
- Some line up for ice cream but it’s pricey: not many
- Some sit on peripheral benches
- Big crowd grows organically when performance starts. Approx. 60 and grows to 100. Some in crowd record with iPhones.
- Old people, kids and couples smile while watching the performance
- Trash collectors pass through
- A kid goes in the fountain, wades around
- Not many dogs
- High participation in performance (clapping, photos, respond to the performers’ call to volunteer and be part of the choreography)
- Some sitting on the wall of the park, eating dinner, drinking coffee

Example of crowd members:
- Middle-aged man and young son walk out of the park, see the performers, immediately make a bee-line into the crowd and take out camera to take picture though he does not know what the performance is (can’t see it from that far away). The kid approaches more cautiously, curiously, unconvinced.
Crowd composition:
- Diverse (Black, White, Indian, not so many Asians) all ages, families, couples, elderly, teens

Far away we see:
- Many runners, bicyclists, about 50 pass every minute. Mostly white.

2.
6:15 pm second observations:
Winnow down of categories and counting =
in 1 minute…
1. Rickshaw: 8
2. Performers: 5
3. Passers in and out: 23
4. Impromptu watchers: active and passive: 60-100
5. Resters: social and individual: social: 11 groups, individual: 13
6. Water-getters: 10
7. Park staff: 1

Secondary Observers Saw:
Saturday, September 15, 4:30-5:30pm
rickshaw 2 with passengers, 4 without passengers
walking dog 9
people with suitcases 5
people taking photos or video 12
people with headphones 3
street performers 5
coffee drinkers 5
with water bottles 10
eating corn 2
talking on the phone 6
using smartphone 12
runners 10
renting bikes 2
walking with a paper map 1
smokers 3
with shopping bags 29
people on horse carriage 4
walking holding hands 23
strollers 25
bike 69
watching performers 5

3.
Recommendations:
It helped to have the recommendations from the other group— they noticed some specific attributes of the people in Columbus Circle that we had not noted— such as carrying shopping bags, smoking, using paper maps, using smartphones as opposed to talking on the phone, etc.
Some of these additional observations confirmed behaviors we had already noticed and some affirmed our belief for the need to create a more structured, casual (though permanent) seating, table area.

1. Organize space better: bike racks, specified area for the rickshaws
2. Better lighting at night. Perhaps responsive to the music from the performers or the crowd itself
3. Changing display that shows which dance group is performing at the moment
4. Amphitheater were performers can be seen by ever-growing crowd. Currently once the crowd gets around 5 deep, you can’t see around one another
5. Better use / highlighting of the statue itself? Again, lighting at night? Informational plaques?
6. Better use of the space behind the statue. Currently, neither the rickshaws, bicycles, nor performers use it as it is somewhat blocked from street-sight by the statue. So the crowds are more on either side.
7. More permanent cafe seats / tables. Many are having food on their laps, sitting on the statue or wall

SUMMARY…

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What was learned, what was counter towards your original expectations or filled out your mental model in an interesting way?
- We did not expect to see the street performers and were surprised by how strong their presence is for Columbus Circle’s park entrance
- How many rickshaw drivers there were
- The two groups essentially owned that public space in that they are there every single day and build their living around their work at that entrance

What seems like a ripe opportunity?
- Better order for the haphazard bicycles and rickshaws. Better structure for the diners, coffee-drinkers, resters, sitters, etc. Such as permanent tables or high bars where people could dine and hang their bags / rest their bags rather than putting everything on the dusty ground
- Billboard for the dancers: showing which group is performing, perhaps a live video of them in the unused behind-statue space
- Amphitheatre-like stage

Timelapse video:
http://www.youtube.com/watch?v=OEm39JyNdGo&feature=youtu.be

Sep 17, 2012
#sensitive buildings
Cabinet of Wonders Readings: Active Prolonged Engagement, Educational Theory

Active Prolonged Engagement

Making predictions, testing hypotheses, drawing conclusions

Investigation / Exploration / Observation / Construction

Holding Time

What would happen if— ?

Action, Explanation, Orientation, Perception, Off-Task

APE’s emotional appeal / challenge

Letting multiple use at once or in separate play spaces

Educational Theory

Museums are like parenting - share the details of why you do what you do - don’t have mixed messages

Theory of learning: about adding bits or transforming mind

George Berkeley: tree falling makes no sound if no one is there to hear it

Is the purpose of an exhibit to depict truth

Simple: the fundamental or the accessible?

Learning: brains as vessels: to pour information

Transmission (here are the facts) vs. active, developmental (primary source, draw conclusions)

Give me a fish and I eat for a day

Teach me to fish and I’ll eat forever

Find out for yourself. Learn by doing.

Experimentation with incorrect results?

Constructivism: make their own meaning out of experience

Analyze and then present the subject. Find essential structure and then find individual units to learn.

Encyclopedia not textbook

Sep 16, 2012
#cabinet of wonders
Printing Code: Conversations with Rand

Idea of wetness by association with raindrops

Design is a relationship between form and content

(This is 20% this is 70%…)

Black or white, line or mass, system of proportions, use color, small or big

Condense it smaller more self contained bull’s eye

Sep 12, 2012
#printing code
Cabinet of Wonders: Constructivist Museum, Grover

THE CONSTRUCTIVIST MUSEUM

Connections to the familiar

- Prior knowledge / association with the familiar

     - Concept of “mediation”: what does the learner need to feel connected to what he’s learning? Helen Keller and water on her hand:                 

         connection of symbol for water and substance to which it referred.

1. Freedom of movement

2. Comfort

3. Competence

4. Control

Privacy, comfort, human-siz/scale

Panic of the unfamiliar

BUT

Also what about interest of the unfamiliar? Unusual provocation?

- Tea kettle in an exhibit on steam power

Multisensorial

Gardner’s multiple intelligence theory:

Linguistic, musical, logical - mathematical, spatial, bodily - kinesthetic, interpersonal, interpersonal

Local library + local museum!

Takes time to learn

Clusters of seating

“can’t get through an exhibit alone”

Lure of the familiar v. lure of the challenge

GROVER!

things on the ceiling (airplanes), on the ground (mushrooms!), in the middle (clock), under the water, long thin things you can write with (carrot doesn’t belong— so where does it belong?)

solving mysteries to learn

Sep 11, 2012
#cabinet of wonders
Printing Code: Notes on Sol LeWitt and Form + Content

SOL LEWITT BY REAS

Site specific drawings:

- importance of physical properties of the wall: height, length, color, material, architectural conditions and intrusions

If conceptual art, concept should remain regardless of the medium

FORM AND CONTENT BY RAND

Content is the raw material of design. 

Form is the reorganization and manipulation of content.

Facture, space, contrast, balance, proportion, pattern, repetition, scale, size, shape, color, value, texture, and weight

Means: unity, harmony, grace, and rhythm

“In art there are perceptions, opinions, speculations, and interpretation, but no proof. This is both its mystery and its magic.”

Sep 11, 2012
#printing code
Cabinet of Wonders: Museum Visits

Museo del Barrio & Museum of the City of New York:

The approach to both of these museums is unusual in that the closest subway stop is on the 6 train, 103rd and Lexington. Walking through housing projects and the beginning of Spanish Harlem sets up the visit to the Museo del Barrio and the MCNY in a direct contrast of then / now. Also, the difference between 103rd and Lex. vs. 103rd and 5th is stark— the relatively poor neighborhood vs. the extremely wealthy 5th ave mansions. Neither museum reflects its own neighborhood particularly. Should it? Not necessarily. Probably doesn’t fit into the day to day mission of the museum?

Museo del Barrio

Impressions:

A warm, comfortable, familiar feel at first. Upon entering, there is latin music playing and brightly colored lettering. However, after this initial warm entrance hall, the actual exhibition space feels like it is trying very hard to be formal and taken seriously. The exhibit I saw, “Caribbean Crossroads of the World” seemed rather haphazard. Supposedly it had several themes, but the rooms were not explicitly marked to reflect these themes.

Atmosphere:

Welcoming / loose contrasting with ordered / tight exhibits.

Hospitality:

Very friendly, personable, helpful staff. Strangely not allowed to use pens for notes though. And this wasn’t explicitly written anywhere so the guards had to constantly watch visitors. 

Restrooms were easy to find. 

Weird that the exit of the exhibit was not at the end of the exhibit— you had to go all the way back through.

Notable cafe with Caribbean and hispanic food, sodas, candies. 

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Memorable Object:

The exhibit was a full mix of painting, prints, photographs, video and objects. My favorite was a grid of prints and type underneath each that told the story of a Caribbean artist’s (Nanna Debois Buhl) inspiration from another Caribbean (but older, born European) artist. The surprise of seeing his words directly printed on the wall, large, separated by his prints was powerful especially as it compared to the tiny captions (often too small to see without going too close to the paintings).

Who was there:

A school group of teenagers. A pair or two of tourists. A few single people. All older than 30 and white.

Any interactives:

One: a kiosk-like station to browse museum’s website. Slow to load, ugly old interface that looked like Internet Explorer 6. No reason to keep using it, and no one was using it before or after I did.

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Website:

Similarly colorful and casual to the atmosphere of the entrance hall of the MDB. 1 click for the hours. 

Easy to get in to see more about the exhibition I visited. But there isn’t that much more detail about it. Pretty much just the text from the walls and then a calendar of special events that are for the exhibit.

I’d naturally go to the website if there was a piece of work I wanted to take note of or research more in depth and I couldn’t remember the artist’s name. If I remembered the name, I’d google that directly rather than go through the museum’s website. 

The website has a “zoomify” feature when you click on an image you’re interested in— and this zoomify does not actually work. Totally frustrating.

Captions:

Small print. Often in corners that were impossible to access without getting too close to a painting or object. Sometimes lengthy sometimes short. The lengthy captions were in Spanish and English. Perhaps captions were lengthier if the painting or object was unusual? Or the curator thought it needed to be explained in depth? 

Museum of the City of New York

Atmosphere:

Formal, grand, serious. Typography of the signs gives it a bit more of a modern feel. Soft long sofas gives it a more comfortable feel. 

image

Not a particularly welcoming staff. Seem more overwhelmed by visitors than excited by them. 

Hospitality:

The desk staff barely noticed me. I barely noticed the guards. The underground cafe is not appetizing. But the terrace in the front is very pleasant and attractive to passersby. Basement has bathrooms (quite far to get to) and an exhibit— but a musky, skeleton feel rather than being incorporated into the stylish upper floors. 

Memorable objects / Exhibits:

A dog-drawn carriage in the “Toys and Transportation” exhibit in the basement.

image

However, the museum had several exhibits along its hallways that were less effective than having a dedicated entrance and then room as the flow for an exhibit. Often one was not sure where an exhibit started or what the direction to take. 

I was quite confused by the exhibit “London Street Photography”— the first photographs were by Jacob Riis and other New York photographers, then it transitioned to London, then back to New York, but if I did not read the fine print on the captions I would not have known which photographs dealt with which city. The layout was perplexing.

Interactives:

“Timescapes: a Multimedia Portrait of New York” was a room of three large, slightly rounded screens with a half hour long feature about New York. Not interactive. A combination of images, zooming maps, voiceover and some special noises to do with battle or fire or other things that have happened in New York.

Who’s there?

A teenage student group. Many pairs or threesomes of people— some speaking foreign languages. Some singles. All over 30. 

Website:

1 click for hours. 

Welcome page is very easy to dive in to, but once you actually dive, you descend into labels and small type and small photos and constant “Add to Basket” when all I really want to do is read more and see more pictures of the exhibits rather than buy tickets to come back. I have to commit to clicking rather than browsing with a drop down menu from the top nav. I would rather buy a ticket once at the museum. Once you drill down, you can’t get back to the pleasant grid layout of the initial homepage. Which is too bad. And you can’t click on the top-left logo to get to the Homepage. Which is a standard thing to enable on websites. 

However!

I arrived at the Collections browsing and found it delightful. The Fashion collection, borough by borough photography, all well designed pages conveying a useful amount more of information!

Sep 11, 2012
#cabinet of wonders
Celestial history → longstreet.typepad.com

bobulate:

John F. Ptak investigates when stars began to appear as dots in celestial atlases:

The first star atlas published in 1482 after the work of the first century astronomer and philosopher Hyginius contains maps of the constellations composed of such beautiful light-encrusted bits. There wouldn’t be another work like this one, strangely, for another 75 years. Alessandro Piccolomini’s work of 1559 (which would be the first true star atlas), and again we see the familiar representation. I thought that this would change with the invention of the telescope, so I checked out Galileo’s beautiful account (pictured below) of his discoveries in the Sidereus — again the same complicated, sawblade stars.

See also:
Jonathan Harris’ Universe and yesterday

One of my most bizarre but best-loved part-time jobs has been Astronomy Teaching Assistant as an undergraduate. The simple job of the Astronomy TA was to open the observatory each week, set the telescopes in the general direction of the obligatory planets, and to teach constellations.

Teaching constellations is an exercise in storytelling. You see, dots, these anonymous light encrusted patterns, must be memorized and categorized, and it’s only through stories that one can make sense of them. Starting with the north star, and systematically creating relationships in the winter sky among Hercules and Sagittarius, Libra and Polaris, we told tales. We’d trade stories on top of the old stone building in the middle of dark campus until late into the night. Creating these stories, giving Hercules a relationship to Cassiopeia — true or not, good or not, believable or not, it didn’t matter — what mattered were that patterns were found and marked.

Marking patterns and making content accessible through stories is what we do. And often, still, when we begin, we’re in the dark.

[Image: Galilei, Galilei Sidereus Nuncius (known in English as Starry Messenger), published 1610]

Sep 10, 201218 notes
#data representation #patterns #form & content #stories

May 2012

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